Andrus Kivirähk

Andrus Kivirähk is one of Estonia's most highly regarded contemporary writers. A journalist by profession, he is known for his satirical newspaper columns and his bestselling novels. A popular board game has been created on the basis of The Man Who Spoke Snakish. He lives in Tallinn, Estonia.

Christopher Moseley is a translator of Estonian and Latvian. He teaches at University College London and is Treasurer of the Foundation for Endangered Languages.



How to describe the book? Imagine it is the end of the world, and Tolkien, Beckett, Mark Twain, and Miyazaki (with Icelandic sagas and Asterix comic books stuffed under their arms) have got together in a cabin to drink and tell stories around the last bonfire the world will ever see.
Le Magazine Littéraire

The sense of humor and the imagery resembles a graphic novel or animated film... Probably one of the best contemporary novels about what it means to be alone... Marvelous in all senses of the word.
Le Monde

Kivirahk provides a compelling and creaturely backdrop for the warring facets of Leemet's coming-of-age... This is an epic fantasy.. I felt compelled to continue reading in the certain knowledge that I'd soon stumble upon a scene of great power and beauty or an elegantly aphoristic turn of phrase.Dustin Illingworth, Words Without Borders

An incredible novel, a mystifying treasure of a book.
Psychologies Magazine

This fantastical Bildungsroman has the feel of a classic... The novel shines...
New York Journal of Books

It is good, it is beautiful, you will read it in one sitting, it radiates intelligence... It is a true literary miracle.
L'Ivre de Lire

Somewhere near the realms of fantasy and science fiction there exists a much more thrilling and allegorical form of writing, bending the rules of the genre to suit itself... The Man Who Spoke Snakish is an allegory about fading eras and vanishing worlds, and laced with a good dose of black humor to boot.Jürgen Rooste, Estonian cultural critic

[A] tumultuous Tolkien-like epic set in early medieval Estonia, where forces of modernity and tradition clash in a primeval struggle for the Baltic nation's soul - and it's future... At its essence, this book is a Bildungsroman, a coming of age saga about a young man reconciling with a world experiencing seismic change... A strange, wondrous book.
Robert Collison, Toronto Star

This translated Estonian treasure follows the adventures of a boy who is the last remaining speaker of Snakish, an ancient language by which he can command any animal.
Entertainment Weekly

Epic, fantastical... Most astonishing is the inventive imagery... Kivirähk's well-plotted story of language, loss, and fanaticism speaks powerfully to our world's ever present conflicts.

Lots of fun here...but Kivirähk is also concerned with the dangers of war, colonization...and idealizing the past. A big bestseller in Europe.
Library Journal

Fable-like, timeless... The Man Who Spoke Snakish is a great novel, one of those important books that speaks to your soul in its own language and which marks a milestone on your personal reading history and in the development of your opinions.
Blog des Bouquins

This novel is totally unusual; it has the same strangeness as La Locura de Dios by Juan Miguel Aguilera or Cold Skin by Albert Sanchez Piñol. The author talks about Estonia (his country) in the 13th century, when 'iron men' invaded the country on a crusade. It jumps between philosophical fable, political pamphlet, Nordic saga, and includes some epic outbursts of violence.

This allegorical story spins an element of wistful longing for anyone who has struggled between the old and the new, its lessons as relevant today as ever.

This novel slithers along like the snakes it so admires, agile and often unexpectedly compelling... Its irreverence for convention flows charmingly from its conversational prose... Readable and engaging, it's easy to see how this novel could become the delight of a nation.Emma Schneider, Full Stop

The Man Who Spoke Snakish has the feeling of a folktale... This isn't to say that it's a work of light fantasy, however - like Margo Lanagan's 2008 Tender Morsels, there's an undercurrent of violence that keeps the more mirthful aspects at a distance.
Tobias Carroll, Literary Hub